World of music

Music Making and Music Research in the Asia-Pacific Region in Times of COVID-19 World of Music vol. 12 (2023) 1, ISSN 0043-8774 ISBN 978-3-86135-934-0 Subscription information: Language of publication: English Bibliography: 2 issues per year —published in June and December 15,2 x 22,8 cm ISSN 0043-8774 Prices: single issue (plus shipping): (UVP) EUR 38,00 double issue (plus shipping): (UVP) EUR 55,00 (prices single and double issue plus postage and handling) annual subscription in Germany: (UVP) EUR 70,00 annual subscription abroad: (UVP) EUR 84,00 (subscription prices include postage and handling) Shipment to abonees done - new subscriptions open 2023, 2024, 2025 For subscription or international orders send inquiry per email.     Content: Sebastian Hachmeyer & Celia Fritze-Nabjinsky, Introduction: Surmounting Physical Distance Muhammad As‘ad, Dadi Darmadi, and Anne K. Rasmussen, Islamic Music and Qur’anic Arts in the Time of the Corona Pandemic: Collaborative Research and Virtual Ethnography “in”   Indonesia Trisnasari Fraser, Jane W. Davidson, and Alexander Hew Dale Crooke, Intercultural Music Engagement over Electronic Bridges: Online Ethnography and Actions Research during COVID-19 Lockdown Jessica Schwartz, “Music as Method” in Marshallese Communitydriven Research & Outreach during the COVID-19 Pandemic Andrew Gumataotao, Fieldwork through Filmmaking: Listening to Narrative Medicine in “Tåhdong Marianas” William Donnie Scally, Music and Sound in Toyama City Up-close and from Afar: A Close Reading of Online Materials Informed by In-person Experience 

Sound Futures: Exploring Contexts for Music Sustainability Guest Editors: Dan Bendrups & Huib Schippers the world of music (new series)Vol. 4(2015) 1 2015 146 p. fig., photos and musical notations (UVP) EUR 36,00  - EINZELEXEMPLAR ganz leichte Bestoßen an Kante vom Cover - 28 EUR Sonderpreis ISBN 978-3-86135-910-4 Contents: Articles Dan Bendrups & Huib Schippers: Preface: Sound Futures Huib Schippers & Dan Bendrups: Ethnomusicology, Ecology and the Sustainability of Music Cultures Anthony Seeger & Shubha Chaudhuri: The Contributions of Reconfigured Audiovisual Archives to Sustaining Traditions Trevor Wiggins: Music, Education, and Sustainability Zhang Boyu, with Yao Hui & Huib Schippers: Report: The Rise and Implementation of Intangible Cultural Heritage Protection for Music in China Dan Bendrups & Donna Weston: Open Air Music Festivals and the Environment: A Framework for Understanding Ecological Engagement Alison Booth: Producing Bollywood: Entrepreneurs and Sustainable Production Networks Richard Letts. Global Perspectives: The IMC Report on Forces Affecting Music Sustainability Book Reviews (Eva-Maria van Straaten, ed.) Carl Clements: Martin Clayton, Byron Dueck, & Laura Leante (eds.), Experience and Meaning in Music Performance (2013) Louis Regis: Jocelyne Guilbault & Roy Cape, Roy Cape, A Life on the Calypso and Soca Bandstand (2014) Tom Solomon: Philip V. Bohlman (ed.), The Cambridge History of World Music (2013) Eckehard Pistrick: Andreas Gebesmair, Anja Brunner & Regina Sperlich (eds.), Balkanboom! Eine Geschichte der Balkanmusik in Österreich (2014) Anna-Elena Pääkkölä: Babette Babich, The Hallelujah Effect—Philosophical Reflections on Music, Performance Practice, and Technology (2013) Maria S. Guarino: Ian Russell & Catherine Ingram (eds.), Taking Part in Music: Case Studies in Ethnomusicology (2013) Stefan Fiol: Andrew Alter, Mountainous Sound Spaces: Listening to History and Music in the Uttarakhand Himalayas (2014) Stig-Magnus Thorsen: David A. McDonald, My Voice Is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance (2013) Recording Reviews ((Robert Fry, ed.) David Knapp: Nudbok al Amar (Dabke on the Moon), DAM. Produced by Nabil Nafar, Jethro Beats, Anan Ksym, and Abed Hathut (2012) Jacqueline Avila: Birdman (Or The Unexpected Virtue of Ignorance). Original Motion Picture Soundtrack. Prodcued by Alejandro Gonzalez Iñárritu (2014) Kayleen Justus: Oui ma Cherie!—Music for Steel Orchestra, Studio Kitchen Crew. Produced by Andy Narell (2014) Lisa Osunleti Beckley-Roberts: Hunter Poetry, WolfHawkJaguar. Produced by Wolfhawkjaguar (2012) the world of music (new series) About the Contributors  

Access to Waxes – The Collections from the Arab World of the Berlin Phonogramm-Archiv I The world of music (new series) vol. 12 (2023) 2 ISSN 0043-8774 ISBN 978-3-86135-935-7 Subscription information: Language of publication: English Bibliography: 2 issues per year —published in June and December 15,2 x 22,8 cm ISSN 0043-8774 Prices: single issue (plus shipping): (UVP) EUR 36,00 double issue (plus shipping): (UVP) EUR 55,00 (prices single and double issue plus postage and handling) annual subscription in Germany: (UVP) EUR 70,00 annual subscription abroad: (UVP) EUR 84,00 (subscription prices include postage and handling)  Issue in production - expected delivery, begin of october For subscription or international orders send inquiry per email. Issues 2024 available soon, subscription 2024 and 2025 open - ask for updated prices.     Content: Nadia Bahra, Lando Kirchmair, Matthias Pasdzierny, andAlbrecht Wiedmann, Access to Waxes – The Collections fromthe Arab World of the Berlin Phonogramm-Archiv: BetweenDigitization, "Repatriation," and Online Publication Salwa El-Shawan Castelo-Branco, Interrogating "Access toWaxes" – Introductory Remarks on the Collections from the ArabWorld of the Berlin Phonogramm-Archiv Susanne Ziegler, The Collections of Music from the Arab World inthe Berlin Phonogramm-Archiv Jean Lambert, A Historical Glimpse of Music in Yemen in the1930s: A First Approach to the Cylinders Recorded by HansHelfritz Matthias Pasdzierny, Whom to Remember – How to Return?Brigitte Schiffer, the Voices of Siwa and the Entangled History ofthe Berlin School of Ethnomusicology Ruth F. Davis, From Wax Cylinder to Metal Disc: TransplantingRobert Lachmann’s “Oriental Music” Project from Berlin toJerusalem on the Eve of World War II

Colonial Modernity and East Asian Musics Hugh de Ferranti & Yamauchi Fumitaka (eds.) (the world of music (new series) special issue Vol. 1-2012) 2012 208 p. fig., photos and musical notations (UVP) EUR 32,00 ISBN 978-3-86135-930-2 This special issue includes contributions by prominent music researchers based in China, Japan, Taiwan, and Australia. One of the first attempts to present scholarly work on music in colonial era East Asia in a thematically coordinated manner, the issue delineates diverse experiences of colonialism and modernity among musicians in Korea, Taiwan, Japanese-occupied Shanghai, and naichi or ‘home islands’ Japan. A study of musical interface between French colonists and Vietnamese in prewar Hanoi offers a comparative perspective on music and colonial modernity in what had formerly been part of the cultural Sinosphere. Contents: Articles Preface Hugh de Ferranti & Yamauchi Fumitaka: Introduction   Wang Ying-fen:   Zhang Fuxing’s Musical Negotiation between Tradition and Modernity in Colonial Taiwan   Tang Yating :   Japanese Musicians in the Shanghai Municipal Orchestra (^1942–45)   Michael E. McClellan:   Making Music Modern: Colonial Hanoi and the Politics of Sound   Philip Flavin:   Echoes and Images of Colonial Japan: Imperialism and Modern Music for the Koto Yamauchi Fumitaka:   (Dis)Connecting the Empire: Colonial Modernity, Recording Culture, and Japan-Korea Musical Relations About the Authors

    Articles: Jacob Olley, Resounding 1923: Musical Modernities from the Ottoman Empire to the Turkish Republic Panagiotis C. Poulos, “Foreigners in their Homeland”: Song Writing, Musical Estrangement, and Subjecthood Formation in Late Ottoman Istanbul Jacob Olley, Joking Aside: European Music and the Dislocation of Modernity in Nineteenth-Century Ottoman SatirehBurcu Yıldız, Transcultural Memory in the Study of Folk Music in Turkey: 78-rpm Records of the Ottoman American Diaspora Onur Günes ¸ Ayas, Self-Orientalist Representations of Turkish Classical Music in the Republican Era: Orientalism and Orientalism in Reverse Evrim Hikmet Ög˘ üt , Rauf Yekta’s Notes on the 1932 Congress of Arab Music: Being a Mediator in a Dual Musical Universe Elif Damla Yavuz, Institutionalizing Opera in Turkey: Carl Ebert and the Opera Studio Erol Köymen, Provincializing Acoustics, Feeling Europe: Heritage and Sonic Atmosphere in Istanbul Martin Stokes, Afterword: Istanbul, Cairo, and the “Demography of Babel”

World of Music vol. 13 (2024) 2, Access to Waxes – The Collections from the Arab World of the Berlin Phonogramm-Archiv II ISSN 0043-8774 ISBN 978-3-86135-938-8  Content / articles:  Dörte Schmidt, Data Diplomacy: "Access to Waxes" and the Need for Negotiating Spaces Souheir I. Nadde, The Berlin Phonogramm-Archiv Collections: Legal framework from Arab Countries PerspectivehhChristian Czychowski, Lea Riechers, Copyright issues: Sound Recordings from German Prisoner of War Camps of World War I and World War II Lando Kirchmair, Open Access Publication of the Historical Sound Recordings of the Berlin Phonogramm-Archiv: Arguments from Public International Law and Cultural Ethics Mèhèza Kalibani, Prolegomena to the Study of Historical Sound Recordings from Colonial Contexts